So Far So Good
So Far So
Good goes to meet the Hachmi family, accompanying them
in their bureaucratic journey to seek asylum in Belgium. The context in which
this work takes place coincides with the first period of confinement decreed by
Belgium.
Using the archive images of the family,
recovered from broken smartphones, No Sovereign Author put in tension two
discourses that never meet : that of the possible meeting on the one hand,
delivered by a thread of everyday images, accumulated and accompanied by the
comments of the woman telling her memories; and on the other hand, the
discourse of non-meeting, that of the State, vertical, disembodied, made
readable by the reproduction of extracts from interviews and the response of
the General Commissioner for Refugees and Stateless Persons.










